Tag Archives: radio

private radio inspector

The black-leather-lined plasticized bilingual identity card wacked my arm as it fell from the shelf. Until then, I had never really noticed the card among the many items my grandmother left me.

Luckily, its heavy construction protected the words on the card, which remain as legible as they were when my grandfather received it on January 4, 1936.

The Canadian federal “Department of Marine” issued the card to give my grandfather credibility as a radio inspector. It says:

“The bearer G. Arial is hereby authorized to issue and inspect private radio receiving licences in Edmonton East. He is further authorized to require the production of private radio receiving licences for inspection.”

Turns out that this little artifact hints at a short-lived controversy in Canadian history. The card expired on March 31, 1937, but it would be defunct before then.

The Department of Marine seems like an odd overseer of radio licences until you realize that early broadcasting began in the 1890s when Morse Code was used to enable ship-to-ship and ship-to-shore communication. The idea of a public broadcaster begin in May, 1907, when the Marconi station in Camperdown, Nova Scotia began broadcasting regular time signals to the public.

The “wireless telegraphy” industry continued to develop with private individuals investing in ham radios with no regulation. By June 1913, the federal government decided to regulate the industry to protect military communication.

When World War I began in August 1914, private licenses were banned altogether. Only the Marconi Wireless Telegraph Company of Canada, Ltd. kept operating during the war years, in part because it became a research arm of the military.i

After the war, the private industry blossomed, particularly in Western Canada. Many of the new broadcasters came from multiple religious communities, a situation the federal government tried to prevent by setting up a public broadcasting system through the Radio Broadcasting Act of 1932.

That act led to the establishment of a licensing commission called the Canadian Radio Broadcasting Commission under the leadership of Hector Charlesworth. Charlesworth’s group censored many religious groups and political groups, but none more than the Jehovah’s Witnesses.

Norman James Fennema described the controversy in his 2003 dissertation, Remote Control.

…in Canada we find a situation in which the original impetus for regulating radio broadcasting began with the specific aim of putting a rein on religious broadcasting. Originally directed at the radio activities of the Watchtower Bible and Tract Society, this expanded in the early 1930’s into a policy against the licensing of religious broadcasters, a policy initially justified on the basis of the scarcity of the broadcasting spectrum, but that survived the expansion of the system.ii

By 1935, Clarence Decateur Howe became both the Minister of Railways and Canals and the Minister of Marine,iii the ministry under which my grandfather’s job was created.

Howe favoured private broadcasting, and encouraged new private entities to flourish.

Prime Minister Mackenzie King preferred a public broadcast system however. In February, 1936, the Canadian Broadcasting Corporation (CBC) came into being, and my grandfather’s job ended.

Sources

i https://en.wikipedia.org/wiki/History_of_broadcasting_in_Canada, accessed May 26, 2020.

ii Fennema, Norman James. REMOTE CONTROL: A History of the Regulation of Religion in the Canadian Public Square, PhD thesis, 2003, https://dspace.library.uvic.ca/bitstream/handle/1828/10314/Fennema_Norman James_PhD_2003.pdf?sequence=1&isAllowed=y.

iii https://en.wikipedia.org/wiki/Minister_of_Transport_(Canada), accessed May 26, 2020.

My Formidable Tante Marie

I trail closely behind my petite 97-year old aunt as she pushes her walker towards the residence dining room. Her recently repaired hip doesn’t appear to bother her as she purposefully maneuvers herself to the front of the line.

Ironically, she was born with a curvature to her spine and the doctors pronounced baby Mary “delicate” informing her parents that she would not have a long life.

“Ha!” she has been known to utter on many an occasion.

Another favourite saying has become “I shall never surrender!”[1] It is stated with such passionate theatrical flair leaving no doubt that she means what she says.

Her parents, Millicent and Sydenham Lindsay, provided their first born child with numerous quiet diversions such as books, art supplies and writing materials during her childhood. She was not to tax herself physically much to the dismay of her brother and two sisters. Consequently, her artistic talents and imagination flourished and by the time she completed high school, she was ready to perform!

Mary was a talented actress and enjoyed memberships in several different theatre groups in and around Montreal during the 40’s and 50’s. She also occasionally designed store windows in connection with the theatre that drew the attention of the local paper.

“A departmental store window display, depicting characters in a scene from Kings in Nomania has aroused considerable interest and admiration to the gratification of Mary Lindsay, talented young display artist who designed the window.”[2]

In 1950, Trinity Players and The Montreal Repertoire Theatre produced the play “Jupiter in Retreat” and 30-year old Mary won the best actress award for the Western Quebec Region in the Dominion Drama Festival for her leading role. The Herald raved about her:

“Mary Lindsay Kerr, actress playing a leading role, gave a performance of confidence, sincerity and absolute conviction. This artist didn’t put a foot wrong. She played right from the beginning with ease, and she had the power of making lines appear spontaneous.” [3]

The prize was a beautiful handcrafted painted wooden bowl that she later passed on to me. It currently hangs on my kitchen wall as a proud memento from my much-loved aunt.

Mary was blessed with a true soulmate when she married Robert Black-Byrne Kerr in 1946.  Not only did he continue to look after her but he shared her love of the theatre! They were known to host house parties with themes like “Ye Gods” where guests dressed in togas as Roman Gods and probably ate and drank excessively!

Lively games of charades were played at every family gathering. Halloween was a fabulous excuse for a little play-acting! Mary would dress up as a witch and stir a giant pot of steaming “witch’s brew” in the large front window while Bob handed out treats to anyone who dared to come close enough!

In the 50’s, they moved to Vancouver for Bob’s job and Mary was welcomed enthusiastically as “a prize winning actress” into the Vancouver Theatre Guild. She also developed a reputation for radio work (Trans-Canada Matinee on CBC) and several TV and screen appearances (she was the voice of Clarence the Caterpillar on the children’s “Peppermint Prince” program).

As they didn’t have children of their own, Mary and Bob took great pleasure in doting on their nieces and nephews. When they moved back to Montreal in the late 60’s, Mary taught me how to bake a “four egg sponge cake” folding in the stiffly beaten egg whites just so. Weekly tea parties featuring just the two of us were a real treat. Sometimes she would serve “backwards dinner” starting with dessert first!

Over the years, we were often treated to hand painted watercolour cards sent to us for every special occasion. Her joie de vivre was obvious throughout her notes by the abundant use of exclamation marks. They were always lovingly signed: “Big Hugs, Tante Marie!”

(Tante Marie is presently residing in Ottawa, Ontario, where she is now doted on by her nieces and nephews.)

[1] Based on Sir Winston Churchill’s famous WWII speech.

[2] Newspaper clipping, personal collection – “Novel Store Window illustrates C.A.T. Play (Canadian Art Theatre), December, 1944.

[3] The Herald, Montreal , Friday, March 10, 1950.

Visiter le Londres de Shakespeare

London in 1561.  Go see this amazing map at Agas map, university of Victoria:  it is a bird’s eyeview of the city, first printed on wooden blocks.  I heard about it on the French CBC radio show, La tête ailleurs.

 

J’écoutais La tête ailleurs le dimanche 23 février 2014 comme chaque dimanche, à la radio 95.1 fm radio-canada première.  J’ai été très intéressée lorsqu’ils ont parlé de cette carte,imprimée sur des blocs de bois

Détail de la carte d'Agas montrant Londres vers 1561
Détail de la carte d’Agas montrant Londres vers 1561     Photo : Université de Victoria

Une carte de Londres datant de 1561 permet aux internautes de visiter la ville au temps de Shakespeare grâce à Janelle Jenstad, de l’Université de Victoria, en Colombie-Britannique. Notre collaborateur Thomas Leblanc présente cette étonnante expérience dans sa chronique « Le cartographe amateur ».

Dans ses cours sur la littérature anglaise, Janelle Jenstad utilise cette carte de Londres, appeléeCivitas Londinum ou carte d’Agas, pour faire voyager ses étudiants dans les rues, les tavernes, les églises, les cafés et les théâtres du 16e siècle. Ces lieux ont presque tous disparu à la suite du grand incendie de 1666.

La carte d’Agas – Université de Victoria