JULIUS GRIFFITH –
RCA, OSA, CSPWC, CSGA
(1912-1997)
My collection of genealogy treasures includes two picture postcards sent to my Aunt Mary by her talented artist cousin, Julius Griffith, prior to his death in November 1997.
His meticulous handwriting described that day’s garden blooms, commented on the recent election, provided a short health update, news of a son moving back to Ottawa with his family and Lialia sending her love. At the very end, he writes “my show did quite well this time.”
“The Road between Allen’s Farms”
And so it should have. Her cousin, Julius Edward Griffith (1912-1997) was a successful enough painter in watercolour that the members of the Canadian Society of Painters in Water Colours (CSPW), voted for him to be included as a member. Co-founded by a group of prestigious painters including Group of Seven artists A.J. Casson and Franklin Carmichael in 1925, the association continues to exist and has a storied history. For their Diamond Jubilee in 1985, they selected 60 paintings, including one from cousin Julius, and gave them to Her Majesty Queen Elizabeth II. The Queen formally exhibited the collection in Windsor Castle’s Drawing Gallery in 19861.
One of my two postcards could be a replica of his circa 1982 painting presented to the Queen, which was called “The Empty Farmhouse.” The official description describes it as a “watercolour view across fields of a square farmhouse with four windows, surrounded by trees.”
Julius Edward Griffith (1912-1997) was a successful painter in watercolour and oils, a graphic artist, an illustrator, a fine print maker and an art teacher.
As the only child of Katharine Ada Lindsay and Julius Henry Griffith, and born in Vancouver, British Columbia, Julius relished his grandfather Lindsay’s extensive art collection when he visited with him in Montreal, Quebec. Thus began his art education.
When Julius finished High School at 16, he was too young to attend the Royal Military College, as was his father’s family tradition. Instead, he studied at the Vancouver School of Art (Now Emily Carr University of Art + Design)under Charles H. Scott, F.H. Varley and J.W.G. MacDonald (two of which were Canada’s famous Group of Seven artists2). What a fantastic start to his artistic career! At the same time, he also learned block printing techniques from American artist Bruce Inverarity3 who lived in Vancouver at that time. Julius was immediately drawn to block printing because he enjoyed black and white contrast.
A few years later, he moved to England with his parents and studied at the Slade School of Art4 in London and continued his studies at the Central School of Arts & Crafts with Noel Rooke5 learning the technique of wood carving.
At age 21, Julius returned to Vancouver during the Depression hoping to get any kind of work as an artist. And he did! The owner of the Vancouver Sun newspaper commissioned him to paint two murals on the walls of his building and different groups of people were invited to watch his progress. Among these groups were his previous art teachers, Fred Varley and Jock Macdonald and their students at the time. He must have been so pleased at this role reversal!
In 1938, near the end of his fourth year back in England at the Royal College of Art6, he returned to Vancouver to see his father just before he died. After his father’s death, WWII interrupted Julius’ studies but he returned to England with his mother at that time as he wanted to serve.
During the war he worked with the “Air-raid Precautions” for a time and eventually joined the Red Cross. He worked in a country-house hospital in Sussex and, with so little to do, Julius taught art and learned to speak Russian.
What a serendipitous decision! He fell in love with his teacher – nurse Lialia Oralevs originally from Latvia – and they married quietly a couple of years later before the end of the war.
After learning to speak Russian, Julius presented himself in London to the Royal British Navy, passed an oral Russian test and worked as an interpreter under the rank of Sub-Lieutenant stationed in Murmansk7 and Archangel until the end of the war.
While in Russia, Julius would sketch scenes from memory in the privacy of his room at night and only after his 30-year oath of secrecy expired did he show them to the Canadian War Museum8. They purchased 90 of these drawings and The British War Artists Collection acquired several as well.
After the war, Julius and Lialia returned permanently to Canada. Julius quickly earned a degree at age 34 which enabled him to teach art and support his wife and four sons while continuing to pursue his passion as a graphic artist and wood engraver. Julius taught art in many of the top schools in Toronto – the Western Technical School, Artists’ Workshop, Ryerson Polytechnic Institute, Ontario College of Art, and at Central Technical School.
Although I never met Julius, I understand that they made quite the impressive pair with Julius at 6 feet 4 inches towering over five foot Lialia. Not surprisingly, “Julius seemed to develop a slight lilt to the left in later years, probably because he would put is left hand on Lialia’s shoulder and lean to hear or speak to her.” This 1985 photo taken during a trip to Egypt illustrates this charming pose.
On the other postcard that he sent to my Aunt Mary in 1997, he wrote “This card was the one used for the invitation for an exhibition here, which opened in April and is almost over. We had a good opening – some buyers and some artist colleagues, and other people seemed to like the pictures.”
” The Road from Relessey Church”
Although I don’t have any of Julius’ original paintings, his two picture postcards with his personal handwritten messages are real treasures to me.
NOTE:
Julius’ work is displayed in the collections of the National Gallery of Canada, Canadian War Museum, Imperial War Museum (London), Art Gallery of Ontario, Toronto City Archives, Toronto Public Library, Art Gallery of Hamilton, McMaster University (Hamilton), Carleton University (Ottawa), Glenbow Museum (Calgary), Art Gallery of Greater Victoria (British Columbia), and numerous corporate and private collections.
1https://www.rct.uk/collection/926180/the-empty-farmhouse (as referenced 2023-06-02)
2https://wiki2.org/en/Group_of_Seven_(artists) (as referenced 2023-06-02)
3https://www.fecklesscollection.ca/robert-inverarity/ (as referenced 2023-06-02)
4https://wiki2.org/en/Slade_School_of_Fine_Art (as referenced 2023-06-02)
5https://wiki2.org/en/Noel_Rooke (as referenced 2023-06-02)
6https://wiki2.org/en/Royal_College_of_Art (as referenced 2023-06-02)
7https://wiki2.org/en/Arctic_convoys_of_World_War_II (as referenced 2023-06-02)
8https://www.warmuseum.ca/collections/?type=all&q1=all%3A%3A_contains%3A%3Ajulius%20griffith%20art&sort=title&order=asc&view=grid&size=24&page=1 (Julius Griffith’s 24 paintings
– as referenced 2023-06-02)