Tag Archives: Knitting

Spitfire Service Socks

My grandmother, Grace Hunter, used to knit, read, and watch television at the same time. She sat in her well-worn high-backed armchair, with her Women’s Own magazine or her Harlequin romance flattened open on the wide armrest, and watch her soap opera or a game show. I realize now that she was reading when the commercials were on but when I was a child, it seemed to me that she could follow the television and read simultaneously. Her lips moved silently to the beat of the clicking knitting needles. Every so often I heard her take in a deep breath as she concentrated on her knitting rather than the television or her book.

My memories of Nana knitting were more than thirty years after the end of World War II. She was a volunteer knitter for the war effort. This well-worn knitting instruction sheet for Spitfire Service Socks suggests that it was used often.

Spitfire

It is most likely that Nana learned to knit as a young girl. She came from a modest working class family so knitting would have been a necessary skill. During World War I, Grace’s father, John Hunter, was stationed in France. Knitting for the soldiers was an act of patriotism and is was highly likely that Grace, thirteen when her dad went off to war, would have knitted so that the care package that the family sent overseas would contain some warm socks and other knitted clothing.

My mom told me that when World War II broke out, my grandmother was active in the war effort. She belonged to the women’s auxiliary in the church and they held knitting bees, held fund raisers, and catered parties for the men on the eve of their departure for war. Knitting socks and other clothing was one way, among many, of doing something tangible for the men who had gone to war.

During both World Wars, the Canadian Red Cross issued knitting instructions to civilians so that they could contribute to the war effort.  Below is a picture of a booklet published during World War II. 1

Red Cross

The Red Cross was also in charge of collecting and distributing the knitting. Before sending the knitting overseas, the Red Cross inspected all items. Volunteers also helped with the quality control inspections and some knitters corrected mistakes made by others, such as taking out knots in heels of socks. Some volunteers would take the knitting completely apart and redo it, if needed. 2

The Canadian Red Cross estimated that 750,000 women knitted more than 50 million garments for the military in World War II.3

Even the style of knitting underwent a transformation. Continental-style knitting was popular in Germany but it fell out of favour in English speaking countries during World War II. Knitters changed to English-style knitting. The difference between the two styles is the hand in which the yarn is held. Continental-style knitters hold the yard in the left hand, not the right. Nana always had her yarn in the right hand, as her reading material was on the left armrest of her chair.4 She needed her left hand free to turn the page.

 

 

  1. Canadian Red Cross, WWII Civilian Knitting Instructions, https://www.redcross.ca/history/artifacts/wwii-civilian-knitting-instructions, accessed April 26, 2020
  2. Canadian War Museum, An Army of Knitters in Support of the War Effort, March 10, 2014, https://www.warmuseum.ca/blog/an-army-of-knitters-in-support-of-the-war-effort/, accessed April 26, 2020
  3. Idem.
  4. Weightman, Judy, More Knitting History, World War II, October 9, 2012, https://judyweightman.wordpress.com/2012/10/09/more-knitting-history-world-war-ii/, accessed April 26, 2020

Great Grandmother’s Quilt: Eliza Jane Eagle

I have a sampler made by Susan Dodds Bailey, my two times great-grandmother, but much more has survived made by her daughter Eliza Jane. My favourite item is a wool quilt.

The quilt is a traditional bow tie pattern, made from scraps of suiting and other old clothes. Reds, blues and greens in plains, plaids and a few polka dots march across the front. It was all hand stitched. For many years, it was put away in a closet but now summer has it spread out on the day bed, on the verandah of our country cottage. Many an afternoon nap has been taken on it. The quilt had begun to show wear, especially the disintegration of the black dyed fabric but it was being used and loved. Last fall, before Thanksgiving, the quilt was left on the bed. Mice climbed under the tarpaulin protecting it, decided wool would make a great nest and chewed the fabric. It needed to be repaired. Great grandmother would not be happy.

Eliza Jane wasn’t just a quilter, she also knit and made a finely worked afghan. This was a work of love made from off white wool purchased especially for the project. It was given to her daughter Minnie. Elisa Jane was very upset to see that her daughter used it folded up under a mattress, to raise the head of a bed. It was the only time her granddaughter Beth remembered seeing her grandmother cry. The afghan then went to Beth and later her great-granddaughter Dorothy, who proudly displayed it on her guest bed. Great grandmother would be happy.

Eliza Jane also did a lot of fancy needlework. Needlepoint book marks, crocheted towels and lace, crossed stitched sayings on paper and tatted edging have all been preserved. She loved listening to the radio,“Wilson came over on Wed evening and looked over our machine it needs a new long battery but I heard a fine concert in Masonic Hall last night the best yet after the shaking up he gave the old battery.” I can picture her sitting listening in the evening, her hands never idle.

Eliza married William Eagle in 1881, when they were both considered “older”. He had been looking after his mother and didn’t want his wife to become a nurse. They did marry before Martha McClelland Eagle died, as they couldn’t wait forever. Eliza’s wedding dress was a burgundy silk because she thought cream or white wasn’t suitable for a woman then 36 years of age. I don’t know if she made the dress but it was kept for many years and worn for dress up by her daughters and granddaughters.

Neither her daughters nor her granddaughters were much for sewing or handiwork. My grandmother, Minnie could do some mending and darn her stockings but she was never into fine sewing. She had a dressmaker come to her house twice a year to make her clothes. Her sister Amy tried to do some sewing but for her it was a task, not something she enjoyed. So, I think Eliza Jane would be pleased to know that some of her great granddaughters do a lot of needle work and appreciate her craft.

With some old fabric saved from my mother’s hall closet, I repaired the major holes in the wool quilt. This summer it was back on the day bed. I think Great Grandmother would be happy.

Bibliography:

Personal communication with Beth Sutherland Van Loben Sels in 2000.

Notes written by Minnie Eagle Sutherland,“Mother made these fancy articles” and Amy Eagle.

Letters from Eliza Jane Eagle to Minnie Eagle Sutherland -1920’s.

Letter Feb 8 1924 from Eliza Jane to Minnie. Wilson was her daughter Minnie’s brother -in-law.

Articles in the possession of the author